The naked truth Term Paper Example | Topics and Well Written Essays - 1500 words

The naked truth - Term Paper instanceIt is innocent, being the some natural form of human existence or it could be sinful, drawing the attestor into thoughts of lust or temptation. The nude is naked, it is ornate, it is weak, it is powerful, it is simple, yet incredibly complex in short, it encompasses to the highest degree any self-contradictory pairing unrivaled could imagine. We hope you enjoy this examination of five artists use of nudity to play with the themes of confidence, power, objectification, complexity, gaze, theology and sexuality. This fetch, a pencil on paper by the French Henri Matesse, is possibly the most classical of all(prenominal) the plays chosen for this exhibition. It is a classical life drawing, a rought sketch of a woman on a pedestal clearly posing for the drawing session, and is done in a rough, sketch care fashion with simple shading and a sense of constant movement throughout. This piece can about serve as a foil for the rest of the exhibiti on, by giving a very classically imagined life drawing for other pieces to work with or against. Just because this piece is classical, however, does not mean that it is simple. It demonstrates one of the most innate tensions to depicting the nude in art, the balance amongst objectification and personification the struggle between the subject being a beautiful object of art patch simultaneously a human. This work relates that tension to the audience by putting the subject on a pedestal, a pedestal that almost looks like a serving platter for food. This invokes the idea of the subject simply existing for ones viewing pleasure, an impression further reinforced by the ornament worn around the subjects bed. How different is this person on a wall from a jewel on a neck? Is it there simply for one to view and enjoy or does it have value in and of itself? Furthermore, Matesses shyness about depicting classic Western private parts, nipples and vulva, give this person a shape appearance, putting a final weight to offset the human/object balance. The next piece, a sponge by the British artist Henry Moore, kit and boodle with Matesses piece to form a background to the rest of the works in the exhibit. Whereas Matesses works as a classical foil, this almost serves as an overview, visually illustrating and giving an overview of many of the tensions that other works will play with in more depth. viewing audience will almost be able to slot other pieces by other artists mentally into the spectrum Moore creates. This work outlines some of the vast number of tensions inherent in work with nude figures. The first and probably most obvious is the weakness/power tension displayed by the covert left and fathom right figure, respectively. The top left figure, feebly attempting to hide her nakedness from the viewer, demonstrates the feeling of utter powerlessness and shame that can be associated with nudity, while the bottom right figure proudly displays itself with a disda inful eye towards the viewer. Countering both points is the bottom figure second from right, choosing to hide private parts she does not wish the world to see while defiantly and powerfully gazing outwards. This work also plays with the personification/objectification dynamic inherently integrated into nude works though facial details. These details range from the assortment of dots, almost alien, on the bottom left figure, implying glum objectification, through the